I had an old Admira Spanish classical guitar, with bad fretwork and a weathered bridge. For some time now, I wondered how a fretless classical guitar would play and sound. So I removed the frets, replaced them by some white veneer (maple) that I planed level with the existing fretboard. I cleaned up and lowered the bridge to suit the action (yet to be finished). Here are some pictures of the work in progress.
25/01/2010
21/08/2009
CA002 finished
The cajon that I built in a few days is finished. (photos available soon, my camera is out for the moment).
I conducted some different stringing experiments; after two trials with a set of guitar strings (2 wound, 1 plain) and one trial with a snare drum mat, I will now start building a nicer, slimmer, lighter version with the traditional system of three unwound guitar strings cutting through the two high corners of the 'tabla' (sound board). This cajon, CA003, will be a real, playable and polished instrument.
(CA001 is an unfinished box that I've had standing around for some time - it was too heavy so I started on CA002 instead)
13/08/2009
Side project: cajon CA002





For some time now I've wanted to construct a CAJON, a South-American percussion instrument also much used in flamenco and gypsy music. It's a fairly easy instrument, in that it's in fact merely a "box" on which you sit. The space between your legs is the "head". Hitting it near the upward edge gives a sharp, short sound with attack, hitting it nearer the middle of the board gives more of a bass sound, hollower and longer. A few strings are strung inside the box, so that when you hit the head it leaves a short singing of clattering strings (like the snare drum of a modern drum kit).
Many different ways of construction and stringing are available on the internet, but there's no standard so some freedom is acceptable. So I started out three days ago with my own design and today it's all but finished. Here are some photos, a description of how I did it is coming up.
03/08/2009
Another project
26/07/2009
Small repair on a Gretsch Electromatic G5120



My friend Bart recently bought a Gretsch Electromatic G5120. There was a problem with the bridge: it didn't fit to the top of the guitar properly and therefore also slid to one side after playing... I adjusted the fit of the bridge by laying sanding paper on the top, and sanded the bridge locally to a more exact fit. The now rougher bottom side of the bridge will also prevent it from sliding so easily on the lacquer of the guitar. And of course a better fit is also a better tonality! A beautiful guitar, now also (temporarily?) featuring in my rock 'n' roll band The Kings Alive .
Progress on BA001 (baritone)
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